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Dedicated to the 35mm, with an auto focus system and a slightly wide-angle lens, the
Leitz Focomat V35 is not a very conventional enlarger. Production stopped around 95, sales have slowed down as its price has increased in an impressive manner during the years: from a 1800CHF price tag in 79-80', it was over 5000CHF around 95' ... It's a pity because this enlarger has an outstanding optical and mechanical quality and
is particularly agreeable and fast to use. Summary: |
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German PDF version 17MB (Thanks to Harald)

The smiley is not standard equipment ...

Enlargement ratio adjustment and column height adjustment to maintain the auto focus
also
with very thick easels.

The light path and the lamp with its cooling cap.
Two versions of the mixing light boxes
The original model used a single condensor design right above the negative carrier. During 1987, Leitz changed this light box by adding a second condensor which purpose was to more evenly illuminate the negative.
Description of the differences between the two designs as published in Leica
Fotografie late 1987:
You can identify the later box by a (very) small dimple in one of the corners of
the output base of the light box (indicated by an arrow in following draft).

Thanks to Jem Kime for these informations regarding the mixing light boxes.
There has been two variations for the lamps: the very first models had the Philips 6604 but a few years later, Leitz introduced another lamp shape (Philips 13139 or Osram 64615 or EFN), here are the differences:
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The original Philips 6604 are difficult to find, it could be easier to
replace the lamp holder. Officially, the Philips
13139 should be better than the other models ... The Osram model has a notch on the front that prevents a proper positioning, it's nonetheless possible to grind it down ...
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![]() The actual lamp holder (left) and the old one (right), front view. |
![]() The same, rear view. |
![]() The lamps in their respective holders. New (left), old (right) |
Light intensity reaches 5.85Lux at f/8 and an enlargement ratio of 10 (with
the Philips 6604). If you can't find the recommended bulbs, use one with a projection angle of around 15° and evacuates easily heat backwards (transparent to infra-red, also called "cold mirror"). I heard of people putting 100W bulbs with wide angles of 30° or 45° that were complaining about long exposures: they were only heating the head as the majority of the light remained trapped inside ... |
Color module |
Multigrade module |
![]() B/W module |
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Two more views of the color module
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Exposure correction factors depending on filtration (color module)
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![]() Negative holder for uncutted films |
![]() The holder for mounted slides. |

The heart of the auto focus system with its cam which varies the lens position and the
WA-Focotar 40mm f/2.8 lens with its luminous diaphragm scale and the lower stepped ring
which can also be lowered for a step less usage.
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Focusing Ring
The focusing ring has a very small screw opposite to the small knob you can see
on the picture. This small screw hides the mechanism that gives the
"stop" you can feel when you turn the ring which marks the auto focus
position.
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![]() Multigrade RC paper printing without an easel is not comfortable with a color head as you cannot switch from a red filter to the multigrade filter quickly. To make it easier, I've added a retractable red filter below the lens. |
![]() The model used for this mod looks very similar to this LPL/Omega version ref. 200672. I had to make a thread at the end of the shaft and glue on a nut to act as a stopper. |
A view under the column with the baseboard dismounted showing the electrical wiring:

Modification done for direct 12V wiring from a stabilized supply:
