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E-6 Slides Processing

This is the main process for color slides, except Kodachromes which have their specific process that is so technical to be out of reach for the simple amateur.

This process being standardized, all films whatever their make, type or speed can be developped together (see comments on Fuji films below).

Summary

Process

E-6 slides processing requires the following steps:

  1. first developer: similar to a B/W developer, it produces a negative image made of metallic silver.

  2. washing: stops the action of first developer

  3. inversion: reverts the image. Often done in the past by exposure to light, it is actually more commonly done by a chemical step.

  4. color developer: it produces the colors of the slide. The film contains color couplers added during its manufacturing and the color developer reacts with the couplers to produce the color dyes proportionally to the image density.

  5. pre bleach: stabilizes the dyes for the rest of the process.

  6. bleach: converts the metallic silver image in compounds that can be fixed.

  7. fixing: removes all the silver contained in the emulsion, only the dyes remain.

  8. washing: removes fixer and other compounds from the film.

  9. stabilizer or final rinse: stabilizes the dyes, usually has a biocide action and also contains a wetting agent to facilitate drying.

Depending on the chemicals, several steps can be combined.

Equipment

To obtain a maximal quality and consistency, we must respect a few points:

Even if it is possible to build a simple water bath and process by inversion like for B/W films, I do recommend the use of a small processor.
Amongst the amateur models, the most common are made by Jobo, notably the CPE-2, CPA-2 and CPP-2 series.
They assure precision and consistency of temperature and agitation.
Up to the operator to ensure consistent process times (a stop-watch is enough) and chemicals freshness.
This last point being the major cause of failures, please, throw away old chemicals: they will not make you save money.

You also need:

Equipment Setup

Here is an example with a Jobo CPA-2 processor, completely valid for its brothers CPE and CPP.

Temperature

All process is normally operated at 38°C but the most critical step is the first developer, after that, come the first wash, reversal and color developer which are also important. All other steps are less critical.

You must ensure the temperature inside the drum is really what is recommended.

To do so, increase gradually processor temperature until it reaches 38°C inside the drum.
Due to water's high thermal inertia, you'll have to wait enough it stabilizes.
Once you've reached the right and stable temperature inside the drum, you can measure the temperature on various points of the processor. Select the most convenient as reference.
In successive batches, once temperature reaches this value at the reference point, you'll be sure the temperature inside the drum will be fine.

This setup has to be done only once, so, don't be afraid to lose a complete afternoon to do it carefully.

Agitation

Rotation speed is 75 rpm (position "P").

Chemicals

You can find various kits by various makes (Kodak, Fuji, Tetenal, Agfa, ...), usually in 3 or 6 baths, sometimes in 4.
This number usually doesn't include the stabilizer, so the 6-baths Kodak kit is in fact a 7-baths kit ...

3 or 6-baths kit ?
I use the Kodak 6-baths kit which gives me total satisfaction but the echoes I have from the 3-baths kits seem to be very positive too.
3-baths kits not being substantially cheaper, they are mainly interesting because they simplify the process.

More than the number of baths, I'm much more interested by one-shot processes as these allow me to have consistent chemicals and, thus, results.

I use the 6-baths one-shot Kodak 5 liters kit (cat. 525 6763 in Europe) able to develop around 40 rolls 135-36.

Together with the documentation of the kit, here are three very useful documents:
Kodak, E6 Single-Use Chemistry Kit - General Information
Kodak, E6 Single-Use Chemistry Kit - Technical Information
Read them carefully before starting !

Preparation

Most if not all of them are liquids and you can dilute only what you need for the number of films of the batch being processed.
Please note that the smaller the quantities to dilute, the more difficult they are to measure precisely and, thus, error margin will increase.
You have to be particularly meticulous and use graduates and pipettes adapted to these little quantities.

I only dilute the required quantity, concentrates remaining in their original package.
Here are the quantities for various drums combinations with Jobo 1500 serie, rotary processing, and my CPA-2:

Chemical quantities per number of films

Number of 135-36 Jobo drum type 1500 Minimum chemicals quantity
1 1510 140ml
2 1520 250ml
3-4 1510+1530 (=1540) 470ml
3-4 1520+1530 570ml
5 1520+1530 625ml
6-7 1510+2x1530 800ml
6-7 1520+2x1530 900ml
8 1520+2x1530 1000ml

Quantity of concentrates to obtain the various final volumes:

Step 140 250 470 570 625 800 900 1000
1st Developer 28 50 94 114 125 160 180 200
Reversal 3.5 6.25 11.75 14.25 15.625 20 22.5 25
Color Developer A: 28
B: 7
A: 50
B: 12.5
A: 94
B: 23.5
A: 114
B: 28.5
A: 125
B: 31.25
A: 160
B: 40
A: 180
B: 45
A: 200
B: 50
Pre-Bleach 14 25 47 57 62.5 80 90 100
Bleach 56 100 188 228 250 320 360 400
Fixer 9.8 17.5 32.9 39.9 43.75 56 63 70
Final Rinse 2.8 5 9.4 11.4 12.5 16 18 20

All quantities in milliliters.

Comments:

To prevent any water problems, I use demineralized water for:
- 1st Developer
- Reversal Bath
- Color Developer

Demineralized water could be used for the first wash too. To maintain the wash water to the right temperature, two 1-litre plastic bottles are placed in the basin right to the tank.

Developers are very sensitive to contamination especially by bleach or fixer, ware should be cleaned very thoroughly between each mixing or use separate utensils for developers and the other chemicals.

The final rinse is hard to clean completely and can influence the next development. So, use another tank for the final rinse and don't immerse the reel, just open it and let fall the film in the product. Agitation should be light to avoid foaming.

Shelf-life

First developer is the most sensible to aging. Concentrate shelf-life can be increased by reducing contact to air.

Here are a couple of methods:

Process Times

First developer time is very important, all others are used to completion, in doubt, you've better to increase the time than decrease it.

Step Time Comments
Pre-Warm 5' Without water
1st Developer 6'30" Fuji Astia, Provia F: 7'
Fuji others: 7'30"
Wash 4x30"  
Reversal 2'  
Color Developer 4'  
Pre-Bleach 2'  
Bleach 6'  
Fixer 4'  
Wash 4x30"
+ 5' running water
Temperature can slowly decrease
Final Rinse 1' Ambient temperature and light agitation to avoid foaming in another tank 
Dry ~90' @ 20°C
~30' @ 40°C
Hot drying allows a better color permanence but shouldn't exceed 60°C.

Push/pull Process:

Exposure Time 1st developer
- 3 IL + 10'
- 2 IL + 5'
- 1 IL + 2'
+ 1 IL - 2'
+ 2 IL - 3'
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