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This is the main process for color slides, except Kodachromes which have their specific process that is so technical to be out of reach for the simple amateur.
This process being standardized, all films whatever their make, type or speed can be developped together (see comments on Fuji films below).
E-6 slides processing requires the following steps:
first developer: similar to a B/W developer, it produces a negative image made of metallic silver.
washing: stops the action of first developer
inversion: reverts the image. Often done in the past by exposure to light, it is actually more commonly done by a chemical step.
color developer: it produces the colors of the slide. The film contains color couplers added during its manufacturing and the color developer reacts with the couplers to produce the color dyes proportionally to the image density.
pre bleach: stabilizes the dyes for the rest of the process.
bleach: converts the metallic silver image in compounds that can be fixed.
fixing: removes all the silver contained in the emulsion, only the dyes remain.
washing: removes fixer and other compounds from the film.
stabilizer or final rinse: stabilizes the dyes, usually has a biocide action and also contains a wetting agent to facilitate drying.
Depending on the chemicals, several steps can be combined.
To obtain a maximal quality and consistency, we must respect a few points:
constant and precise temperature
regular agitation
consistent process times
fresh chemicals
Even if it is possible to build a simple water bath and process by
inversion like for B/W films, I do recommend the use of a small processor.
Amongst the amateur models, the most common are made by Jobo, notably the CPE-2,
CPA-2 and CPP-2 series.
They assure precision and consistency of temperature and agitation.
Up to the operator to ensure consistent process times (a stop-watch is enough)
and chemicals freshness.
This last point being the major cause of failures, please, throw away old
chemicals: they will not make you save money.
You also need:
drums adapted to the processor, size and number of films you want to develop.
a thermometer with a *true* 1/10th °C precision. Many
electronic models have only a display precision of this sort but absolutely
not a real precision, avoid them !
You can find some electronic precision models (Greisinger.de, etc ...) but
their cost is still pretty high.
I'm lucky to still have an old lab mercury model but these are pretty
difficult to find nowadays.
And mercury not being very environment-friendly, I strongly suggest an
electronic precision model instead.
The best quality/price ratio is the common medical thermometer measuring
fortunately the same temperature range we us in the E-6 process. As it also
maintains the temperature reading while cooling down, it is also very
agreeable in this use.
graduates adapted to the quantities to measure: avoid graduates to
large.
You need then several models, by example: 50, 150, 500 and 1000ml.
And also some pipettes to adjust minute quantities.
Here is an example with a Jobo CPA-2 processor, completely valid for its brothers CPE and CPP.
All process is normally operated at 38°C but the most critical step is the first developer, after that, come the first wash, reversal and color developer which are also important. All other steps are less critical.
You must ensure the temperature inside the drum is really what is recommended.
To do so, increase gradually processor temperature until it reaches 38°C
inside the drum.
Due to water's high thermal inertia, you'll have to wait enough it stabilizes.
Once you've reached the right and stable temperature inside the drum, you can
measure the temperature on various points of the processor. Select the most
convenient as reference.
In successive batches, once temperature reaches this value at the
reference point, you'll be sure the temperature inside the drum will be fine.
This setup has to be done only once, so, don't be afraid to lose a complete afternoon to do it carefully.
Rotation speed is 75 rpm (position "P").
You can find various kits by various makes (Kodak, Fuji, Tetenal, Agfa,
...), usually in 3 or 6 baths, sometimes in 4.
This number usually doesn't include the stabilizer, so the 6-baths Kodak kit is in
fact a 7-baths kit ...
3 or 6-baths kit ?
I use the Kodak 6-baths kit which gives me total satisfaction but the echoes I
have from the 3-baths kits seem to be very positive too.
3-baths kits not being substantially cheaper, they are mainly interesting
because they simplify the process.
More than the number of baths, I'm much more interested by one-shot processes as these allow me to have consistent chemicals and, thus, results.
I use the 6-baths one-shot Kodak 5 liters kit (cat. 525 6763 in Europe) able to develop around 40 rolls 135-36.
Together with the documentation of the kit, here are three very useful
documents:
Kodak,
E6 Single-Use Chemistry Kit - General Information
Kodak,
E6 Single-Use Chemistry Kit - Technical Information
Read them carefully before starting !
Most if not all of them are liquids and you can dilute only what you
need for the number of films of the batch being processed.
Please note that the smaller the quantities to dilute, the more difficult they
are to measure precisely and, thus, error margin will increase.
You have to be particularly meticulous and use graduates and pipettes adapted to
these little quantities.
I only dilute the required quantity, concentrates remaining in their original
package.
Here are the quantities for various drums combinations with Jobo
1500 serie, rotary processing, and my CPA-2:
Chemical quantities per number of films
| Number of 135-36 | Jobo drum type 1500 | Minimum chemicals quantity |
| 1 | 1510 | 140ml |
| 2 | 1520 | 250ml |
| 3-4 | 1510+1530 (=1540) | 470ml |
| 3-4 | 1520+1530 | 570ml |
| 5 | 1520+1530 | 625ml |
| 6-7 | 1510+2x1530 | 800ml |
| 6-7 | 1520+2x1530 | 900ml |
| 8 | 1520+2x1530 | 1000ml |
Quantity of concentrates to obtain the various final volumes:
| Step | 140 | 250 | 470 | 570 | 625 | 800 | 900 | 1000 |
| 1st Developer | 28 | 50 | 94 | 114 | 125 | 160 | 180 | 200 |
| Reversal | 3.5 | 6.25 | 11.75 | 14.25 | 15.625 | 20 | 22.5 | 25 |
| Color Developer | A: 28 B: 7 |
A: 50 B: 12.5 |
A: 94 B: 23.5 |
A: 114 B: 28.5 |
A: 125 B: 31.25 |
A: 160 B: 40 |
A: 180 B: 45 |
A: 200 B: 50 |
| Pre-Bleach | 14 | 25 | 47 | 57 | 62.5 | 80 | 90 | 100 |
| Bleach | 56 | 100 | 188 | 228 | 250 | 320 | 360 | 400 |
| Fixer | 9.8 | 17.5 | 32.9 | 39.9 | 43.75 | 56 | 63 | 70 |
| Final Rinse | 2.8 | 5 | 9.4 | 11.4 | 12.5 | 16 | 18 | 20 |
All quantities in milliliters.
Comments:
To prevent any water problems, I use demineralized water for:
- 1st Developer
- Reversal Bath
- Color Developer
Demineralized water could be used for the first wash too. To maintain the wash water to the right temperature, two 1-litre plastic bottles are placed in the basin right to the tank.
Developers are very sensitive to contamination especially by bleach or fixer, ware should be cleaned very thoroughly between each mixing or use separate utensils for developers and the other chemicals.
The final rinse is hard to clean completely and can influence the next development. So, use another tank for the final rinse and don't immerse the reel, just open it and let fall the film in the product. Agitation should be light to avoid foaming.
First developer is the most sensible to aging. Concentrate shelf-life can be increased by reducing contact to air.
Here are a couple of methods:
Introducing a heavy and non-reacting gas into the bottles.
This gas forms a layer over the concentrate and separates it from air.
You can find such gazes available commercially like Tetenal Protectan. But since
I saw its ingredients, a mix of butane and propane, I
replaced it by lighter gas, commonly available in Switzerland as used in heaters
for our national meal, la Fondue ...
Open Kodak kit shelf-life is then around 10 months.
Concentrate is put into brown glass bottles, the kind you find in
pharmacies, and kept in the dark.
I've chosen 200ml bottles as this quantity makes one liter of final solution
which lets me develop 8 rolls 135-36 in a single batch.
Each bottle is filled with exactly 200ml of concentrate and some
demineralized/distilled water is added to fill the bottle completely up to
the cap.
Once needed, the bottle is diluted to the final liter.
I can't give you yet a precise shelf-life as I've used this method to E-6
kits only recently but as I use it since a long time with B/W developers
with great success (Xtol test has gone beyond 4 years of shelf-life), I'm
pretty confident it will give better results than the gas method.
First developer time is very important, all others are used to completion, in doubt, you've better to increase the time than decrease it.
| Step | Time | Comments |
| Pre-Warm | 5' | Without water |
| 1st Developer | 6'30" | Fuji Astia, Provia F: 7' Fuji others: 7'30" |
| Wash | 4x30" | |
| Reversal | 2' | |
| Color Developer | 4' | |
| Pre-Bleach | 2' | |
| Bleach | 6' | |
| Fixer | 4' | |
| Wash | 4x30" + 5' running water |
Temperature can slowly decrease |
| Final Rinse | 1' | Ambient temperature and light agitation to avoid foaming in another tank |
| Dry | ~90' @ 20°C ~30' @ 40°C |
Hot drying allows a better color permanence but shouldn't exceed 60°C. |
Push/pull Process:
| Exposure | Time 1st developer |
| - 3 IL | + 10' |
| - 2 IL | + 5' |
| - 1 IL | + 2' |
| + 1 IL | - 2' |
| + 2 IL | - 3' |